The Journey
Publishing a children’s picture book is no mean feat. And Austin went about it the way people are a wee bit obsessive do: He did way too much research.
He created a spreadsheet of the winners of the Geisel, Newberry Medal, and Caldecott Medal awards for the last 20 years. He figured out the sweet spot in terms of the book’s physical size, as well as the number of pages, number of characters, and color palette. He launched a successful Kickstarter campaign and hired his favorite illustrator. He and Nik worked through the illustrations page by page, spread by spread. He studied up on the coloration of crayfish, the best fonts for children just learning how to read, and the odd world of Library of Congress Control Numbers.
And then, Austin cut out the first six spreads because he realized the story needed to get to the action faster. Kids are their famous attention spans, right?
The Journey
Publishing a children’s picture book is no mean feat. And Austin went about it the way people are a wee bit obsessive do: He did way too much research.
He created a spreadsheet of the winners of the Geisel, Newberry Medal, and Caldecott Medal awards for the last 20 years. He figured out the sweet spot in terms of the book’s physical size, as well as the number of pages, number of characters, and color palette. He launched a successful Kickstarter campaign and hired his favorite illustrator. He and Nik worked through the illustrations page by page, spread by spread. He studied up on the coloration of crayfish, the best fonts for children just learning how to read, and the odd world of Library of Congress Control Numbers.
And then, Austin cut out the first six spreads because he realized the story needed to get to the action faster.
The Journey
Publishing a children’s picture book is no mean feat. And Austin went about it the way people are a wee bit obsessive do: He did way too much research.
He created a spreadsheet of the winners of the Geisel, Newberry Medal, and Caldecott Medal awards for the last 20 years. He figured out the sweet spot in terms of the book’s physical size, as well as the number of pages, number of characters, and color palette. He launched a successful Kickstarter campaign and hired his favorite illustrator. He and Nik worked through the illustrations page by page, spread by spread. He studied up on the coloration of crayfish, the best fonts for children just learning how to read, and the odd world of Library of Congress Control Numbers.
And then, Austin cut out the first six spreads because he realized the story needed to get to the action faster.